Principles of Ornament. By J. Ward. (Chapman and Hall.)— So
few people have any notion as to what constitutes Classicism, or Medirovalism, or Renaissance, or Balance, or Symmetry, that we can well imagine their finding a mine of information in the rules laid down in this handbook. Perhaps the most useful part of the book is where the success of ancient artists in elaborating and perfecting certain designs and species of ornament, is pointed out, and the real use of conventionalism insisted upon. The pos- sibilities of Nature, and the wealth of materials she furnishes, is strongly urged ; and we may hope that the suggestion will inspire some one and add new vigour to an art that degenerates the moment it lacks invention and vigour. Mr. Aitchison's intro- ductory chapter winds up with a reminder to the student that the flora of the world is open to him.
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